CRUSHCRUSHCRUSHCRUSH is an interactive abstract horror experience/interactive poem dealing with themes of sexuality, emotional abuse in romantic relationships, religious trauma, and mental health.

A short exploration of the effects of being objectified and the way you can lose yourself to please others out of fear of being alone.

"Come aboard the struggle bus..."

I PROMISE I AM WORKING ON THE GAME is a interactive exploration of a writer's block.

 

"Hello, Blanche... Do you remember what happened? No... Well... That's fine"

machina carerulea is a short sci-fi retelling of Bluebeard

A 3D, highly surreal adventure game about a sad trans girl named Sue falling in love with her two-headed friend Esther.

Explore forms of alienation, grapple with repetition, microwave a sandwich. Features three small poetic games and three small poetic poems.

You've set off on a voyage to Snoutsville and the world is before you! Explore the area, embark on quests, or make your own adventures! Level up unique and innovative skills and experiment to find the best training methods. Collect and create cool items! You can do anything when you are a cow!

The Adhan is calling - it's time to visit your Baba. A 5 minute interactive fiction set at an Islamic funeral. Written with the constraint of 500 words.

Slot Waste is a 3D first-person simulation of a mysterious factory production line. In this episode-length art game, navigate linearly through a series of 10 mini-games and discover what actions will move the production process forward. Complete each sequence and be rewarded with detailed real-time animations that connect each stage.

Alongside grotesque creatures and strange machines, take on your role as the spirit of the factory and bring the production process to completion…but will it really ever end…?

A narrative maze. Lost in Her Sun-Drenched Majesty’s verdant and terrible gardens, with only the dubious guidance of flowers, a sole reveler seeks to escape. In a crowded train car, two strangers meet, talk a while, and then part.